Saturday 13 December 2014

Apologies...

     To my dear readers (by which I mean myself reviewing what I've written, and possible some poor sod who's stumbled across my film blogs whilst bored at 3am on a Saturday night!),
     I can only apologize to you. My lack of activity in this blog for the past month and a half or so is... not great! I suppose there are several factors for my lack of involvement really. School is getting tough (that's what A Levels are for I suppose! Oh well, uni next year!), driving lessons are now upon me and, most importantly, I just haven't found the willpower to write anything! I've started on entries but not finished them; I've planned to write about some films, but never acted on these plans; and I've just had difficulty in analyzing certain aspects of some of the films I've watched recently. So, for my lack of work recently, I truly am sorry.
     Good news though ladies and gentlemen, that's going to change! I shall make it my New Year's Resolution to get back into writing, and also to expand my horizons. Despite the fact I enjoy writing about cinema, it can be a little tedious, so to make things a little more interesting, I'm considering starting a vlog on my YouTube channel, which should mix things up a little bit and make them more interesting at least! I'm also considering bringing in lists (i.e. top 10 films by... ) which would be a nice change from deep analysis. Exciting times are ahead ladies and gents!
     I wish to assure you that I will be back in action as soon as possible (I have  an IMDb watchlist of 60 films now; there must be 1 or 2 in there that I can review!). 
     I wish you all a Merry Christmas and a Happy New Year!
     With Regards,
           The Author of this blog.

Friday 24 October 2014

Good Lord, a Second Entry

     Well well well, I didn't expect to write another post this soon after the last one (or at all for that matter!). You know when you read your own work and you suddenly notice every little mistake and you just wish that you'd never written that piece of garbage? That's basically my feeling toward my post regarding "The Shining!" Here's hoping that this will be better (in my estimation anyway!).
     Today ladies and gentlemen, I have an entirely different kind of film for you: a documentary. On Friday evening I watched "Live Forever: The Rise and Fall of Britpop." Long story short: I thoroughly enjoyed it!
     The problem with a documentary is, it's not easy to criticize it, at least, not in the same way you would with most films. I should mention before I start my analysis that I absolutely adore Britpop. Oasis, Blur, Pulp, Suede, Catatonia, Ocean Colour Scene, The Verve, Supergrass etc I think the genre is absolutely brilliant (though I'm aware not everyone is in agreement over that... including some of my more outspoken friends!). Well, that's enough of a ramble, here goes:
     I suppose the first thing I'd criticize is that I didn't really see the direction they're going in with it. Here's an example of what I mean: The film (inevitably) spoke about the rivalry between Oasis and Blur and focused how they both released singles on the same day. They moved on a little to the next year after this section before then going back to 1995 to talk about Pulp and their album "Different Class." It's that kind of jumping back and forth that can make me a little uncomfortable in terms of documentaries. I watched "Super Size Me" last week which was easier to watch as it followed the timeline of events as they occurred (though I didn't find the content as interesting which is why I'm not writing a blog on it). Similarly, "Catfish," another documentary I watched, followed the chain of events chronologically. I suppose it just meant I was a little lost, though being familiar with the Britpop era myself, it wasn't as uncomfortable as it would have been had I have been some stranger who had never even heard "Wonderwall!"
There was too much focus on the rivalry
between these two.
     I suppose the other criticism to be made is the large focus on Oasis and Blur. Don't get me wrong, I love Oasis and Blur (Oasis more so for anyone who's interested where I stand on that age-old debate!), but I felt a little disappointed that some other bands weren't mentioned, such as The Verve and Ocean Colour Scene, who also had huge impacts on the 1990s "Cool Britannia" culture. Brett Anderson of Suede never makes an appearance and it wasn't until around the halfway mark that we saw Jarvis Cocker, and in comparison to the airtime given to the one on one interviews with Noel Gallagher, Liam Gallagher and Damon Albarn, Cocker barely appears in the film. Considering Pulp are another of my favourite bands, I was incredibly disappointed. [Sidenote: I was disappointed to hear that Jarvis didn't like the Pulp album "This Is Hardcore" as I personally think it's really good and hearing that the main wr
Poor old Jarvis didn't get much of a
look in!
iter doesn't like it makes me feel a little stupid!]. I suppose you can't really blame the producers for focusing mostly on Oasis and Blur, after all, they were the faces of Britpop. However, it would have been nice to hear more from the perspective of some other British bands of the time, the only other musicians who were part of the film were Jarvis Cocker, Louise Wener of Sleeper, and Robert Del Naja of Massive Attack.
     Other than those two criticisms, I thought the film was excellent! It explained how the movement came about well, as well as how it collapsed. The focus on the impact it had, not just musically, but culturally and politically, was fascinating to watch. To get the true views of the artists was especially intriguing, as it was revealed that not everyone was behind Tony Blair as first thought. The introduction of other significant cultural figures such as fashion designer Ozwald Boateng and artist Damien Hirst also put another perspective on the Britpop movement.
    I shall leave you with this thought. Traditionally, documentaries give factual information to help the viewer learn. What did I learn watching this? That there is yet another reason to despise Tony Blair: the fall of Britpop.
My Rating of "Liver Forever: The Rise and Fall of Britpop": 7.5/10

Thursday 23 October 2014

The Curse...

     Ladies and gentlemen, I am cursed. It's awful, and I must live with it. My curse you ask? I have to read a book before watching a film adaptation. It really is quite the affliction. Never mind. Well, I do mind, but there's not time to complain!
     My curse has been in action this week my dear reader(s?). Last week, I started reading Stephen King's "The Shining." It was good. Very good actually. Fantastic! Take it this way, I normally take a little longer than 5 days to read a 650 page book! So yeah... it was pretty great! So for those of you who (somehow) haven't heard of "The Shining," here's a basic plot summary:
Jack Torrance, an ex-school teacher and recovering alcoholic, has just
gotten a job as the winter caretaker of the Overlook Hotel, a prestigious
hotel with a... reputation! From October to May 1st, he, along with his wife
and child, must live in the hotel, making sure nothing goes wrong before it
re-opens in the Spring. His 5 year old son, Danny, has the "Shining," a gift
that allows him to read people's minds and to see into the future, all with the
help of his imaginary friend (or is he imaginary?) Tony. In the hotel, Danny
meets Dick Halloran, the chef, just before he leaves for the winter. Dick also
has the "Shining" and tells Danny that there are some strange things that go on
in the hotel, but nothing that will hurt him. Dick tells Danny to contact him using
his gift if ever things become too dangerous. As the young family are left on their
own in the hotel, things go smoothly until Jack starts to look into the history of the
place. He becomes obsessed and starts acting strangely. Danny, meanwhile, ventures
into room 217, a room he was specifically told not to go into by Dick. In the room,
he finds the corpse of one of the former guests who had died during her stay. She
strangles Danny, though doesn't kill him. This kicks off a series of supernatural events
surrounding the hotel, including moving topiary and ghosts of a party that
occurred long ago. As Jack learns more about the hotel, he becomes
more infatuated with it. He begins to become possessed by the hotel
and eventually becomes aggressive towards his wife, Wendy, who up until 
this point was really the voice of sanity, and his child. Danny calls Dick, who
is in Miami, and he races to the hotel before it's too late. Jack is completely
taken over by the hotel after he manages to get served a few martinis in the
ghost party that has been haunting the family. Jack begins to chase his
family with a roque mallet. He injures his wife, breaking some of her ribs and
her back, and also attacks Dick as he arrives at the hotel. The two victims do
manage to survive however, and Danny reminds his father, or what used
to be his father's body, as he was merely a body possessed by the demons of
the hotel now, that he has not cooled down the boiler with steam. As Jack
runs to the boiler before the hotel explodes (it was a really old boiler), Dick,
Wendy and Danny escape, whilst Jack is too late to save the hotel and
is killed in the explosion. The other three survive and move on with their lives.
     No twins, no axe, no "Here's Johnny!" The book, as you can see, is a tad different to the film. But is the film any good at all?
     I adore Stanley Kubrick. I really do. I was introduced to him by a friend last year and I think his work is fantastic. "2001: A Space Odyssey" is arguably the best sci-fi film of all time and "Full Metal Jacket" comes second only to "Apocalypse Now" in terms of Vietnam war films (in my opinion anyway). This isn't the first time that ol' Stan made a film adaptation of a book. This 1980 production came 9 years after, one of my personal favourite films of all time, "A Clockwork Orange." I need to be careful not to go on a tangent on how amazing that film is! The difference between these two films, is that Kubrick largely sticks to the narrative in the former, though  the ending of the film is different to the (heavily criticized) ending of the book. Despite my love of Monsieur Kubrick however, a certain Mr King did NOT like his version of "The Shining." [NOTE: Mr King is Stephen King for those of you who don't know... but you really should know!!!]
     Here's the bottom line. I like the movie. It's good... really good! The narrative alters, but it still works, and I actually prefer how Jack meets his demise in the film. I do have a major issue with it though... the character development. It's like looking at a completely different set of characters when watching the film, and it really is disappointing. Take a look:
  • Jack Torrance: Loving father and husband, with a few inner-demons (alcoholism). He quit drinking alcohol after accidentally breaking his son's arm whilst drunk. He was fired from his old job as an English teacher at a prestigious New England school after viciously attacking a troublesome student, which he has no real recollection of, other than what happened just before he started to hit him and just after he stopped. He doesn't go insane, rather, he is possessed by the hotel itself. There is a touching moment that I feel really defines Jack's character in the novel. As he's chasing his son down a corridor with a mallet, he finally catches up to him at  a dead end. As he walks toward him, Danny shouts, "YOU'RE NOT MY DADDY." After shouting this a few times, the message gets through and Jack manages to break out of his possession for just a few moments. He collapses to his knees, looks at his son, and tells him to run and lets him know how much his daddy loves him. He kisses Danny's hand and lets him run, before the hotel takes back Jack's body and basically destroys Jack's face with the mallet in his hands (which is the real death of Jack in the book, not the explosion which destroys his body). We feel sorry for Jack, we want him to pull through, we're touched by this father-son moment, and we're sad when he dies. In the film though... eh. Jack Nicholson is an amazing actor and he was fantastic in the film... but how many times have we seen a crazy Jack Nicholson? Okay, maybe not "Chinatown," but that's about it. Stephen King mentioned Christopher Reeve as a potential candidate to play Jack Torrance because it would have been far more shocking to the audiences than to see Jack Nicholson go insane. To be fair, I'd have been pretty surprised to see Superman chase his wife and kid through a hotel with an axe! The character in the film doesn't seem to be very loving. His past is never really addressed (oooh, I forgot to mention that in the book, Jack had an abusive father as well!) and we don't really feel anything for him. Jack Nicholson played him fantastically, but it's not the Jack we sympathize with in the book, and that's a real shame.
  • Wendy: Oh Lord, where to begin? Well, Wendy loves her son and husband very much. She has a difficult relationship with her own mother, and she fears becoming like her. She's mentally strong, and stays strong for Danny. She risks her life for her son and her character is inspiring. In the film... no. She's a waste of space! She's just an annoying, whiny, screeching waste of skin. Sorry Ms Duvall, but it's true. Mabe you played her badly, maybe that was the character ol' Stan gave you to play, but either way, we hate you (well, your character in the film at least!!!). Plus, she looks like the love child of a German attacking midfielder who plays for Arsenal and a Uruguayan striker (for those who are unfamiliar with these names, look up Mesut "Preying Mantis eyes" Ozil and Chewy... I mean, Luis Suarez!).
  • Danny: Danny is a five year old kid, but he's fairly mature in the book. He doesn't want to be considered a baby, and when things are told from his perspective in the novel, they do not sound like the thoughts of a toddler. He's got, as Dick Halloran calls it, "the shine." He has an imaginary friend called Tony who "shows him things" (i.e. his dad chasing him with a mallet and calling him a "little shit"). In the film... he's pretty much the same to be fair. Maybe not as mature, and Tony goes from being his imaginary friend who appears to him in his mind to his index finger, but other than that, it's what you'd expect. The kid playing him is decent as well. It's always a risk with child actors, or at least I'd imagine so.
  • Dick Halloran: I like him in both versions actually. He's pretty much the same in both. In the book, he's described as about 60 years of age with an afro and quote tall. He may be missing the afro in the film, but it didn't take too much from his character. Although, it should be mentioned at the end of the book, after Jack is blown up, the hotel tries to get to Dick as well. It tries to convince Dick to kill Danny and Wendy, but he manages to resist and they escape. Yay. In the film, I'm very p**sed off that he dies. What the hell??? 
  • Mr Ullman: Pretty small character, so there's not much to write. In the book, he's described as an "officious prick" and in the film he's a really friendly guy. I mean, really? Did his character have to change? Did ol' Stan go into this thinking, "I'm gonna really piss off Stephen with this one?" Oh well. Doesn't really matter!
  • Mr Watson: Again, a fairly small character. Again, both completely different personalities in the book and film. In the book he's crude, bold and doesn't care who he's around. In the film, he's polite, and much younger than in the book. "Sigh," never mind... again! Only a small part I suppose!
     That's about it really for the characters. There are some really minor ones as well, but they're not worth mentioning.
Weeping Angels...
Don't Blink!
     There's just one more thing... the inaccuracies, oh the inaccuracies! There are NO ghost twins in the book. There is NO hedge maze in the book. Jack NEVER shouts "Here's Johnny" in the book. There is NO elevator filled with blood in the book. There is NO picture at the end of the book with Jack Torrance at a party in the 1920s that confuses everyone who reads it! I'm aware I mentioned some of these earlier, but I really need to get my point across here!!! You know what is in the book? Hedge animals that move. You know that episode of Dr Who, "Blink?" The one with the Weeping Angels. Basically, if you didn't look at the Angels, they moved... they moved quickly!!! If you were touched by one, you were sent back in time with no way of getting back and you'd live your life out then... quite humane really! Well, the hedge animals are like that, but instead of sending you back in time, they'll, y'know... kill you!!! There are two lions, a dog and a rabbit. We first see them coming toward Jack, before backing off after he insists that they're not real. Then they chase Danny, who just makes it back to the hotel. One of them attacks Dick, who sets it on fire. They're all killed in the explosion eventually, but I'm just saying, I'd rather see them than the hedge maze!
     Well, that's about it for my rant! Y'know, despite all this, I do like the film. If you look at it independently and make no comparisons to the book, it's excellent. When you read the book however... the film can go from 5* to 4* or maybe 3*. That's what I mean when I say I'm cursed. Well, onto the next book. Who knows, maybe this one will have a film that lives up to the hype? I loved the film adaptation of "A Clockwork Orange" and I've read that too. Who knows, maybe the curse will be broken again!
   
My Final Rating for The Shining: 7.8/10